The film focuses on the life of a camgirl who struggles with the repercussions of constant surveillance from the confines of her room. She willingly engages in a form of sex work that allows her to avoid physical touch. In a chatroom, she performs requests by her voyeurs. She thinks that she is safe from violence because she is not really with these men. However, stuck behind a camera, forced to perpetually perform for the male gaze in order to survive, the ever-mutating scenic design within the room will serve as a visual representation of the protagonist's deteriorating mental state as she is groomed to perform more heinous sex acts. She never leaves her spot, but the concreteness of her room completely falls away. Visual world building, abstract and explicit, follows the sex worker’s complete mental decompensation as the story unfolds. Reality becomes unrecognizable to the character. As the surveillance of the men behind her screen becomes increasingly internalized, being in her own body becomes unbearable. The lines between victim and victimizer blur. The body of this white female character will provide ample room for an intersectional approach to dissecting surveillance as a tool of white supremacy.

The sum of the film will be a series of vignettes in the tradition of many forms of surreal cinema. It will reflect how it was constructed. The film will also recall the history of endurance art as the protagonist reenacts misogyny upon herself for as long as her body can withstand.